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MEDIEVAL MODERN : ART OUT OF TIME 英文原版书籍详细信息
- ISBN：9780500238974
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2012-11
- 页数：312
- 价格：319.10
- 纸张：胶版纸
- 装帧：精装
- 开本：大32开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
This groundbreaking study offers a radical new reading of art
since the Middle Ages. Moving across the familiar period lines set
out in conventional histories, Alexander Nagel explores the deep
connections between modern and premodern art to reveal the
underlying patterns and ideas traversing centuries of artistic
practice.
In a series of episodic chapters, he reconsiders from an
innovative double perspective a number of key issues in the history
of art, from iconoclasm and idolatry to installation and the museum
as institution. He shows how the central tenets of modernism –
serial production, site-specificity, collage, the readymade, and
the questioning of the nature of art and authorship – were all
features of earlier times before modernity, revived by recent
generations.
Nagel examines, among other things, the importance of medieval
cathedrals to the 1920s Bauhaus movement, the parallels between
Renaissance altarpieces and modern preoccupations with surface and
structure; the relevance of Byzantine models to Minimalist artists;
the affinities between ancient holy sites and early earthworks; and
the similarities between the sacred relic and the modern readymade.
Alongside the work of leading 20th-century medievalist writes such
as Walter Benjamin, Marshall McLuhan, Leo Steinberg, and Duchamp,
Kurt Schwitters, Robert Smithson, and Damien Hirst.
The effect of these encounters goes in two directions at once:
each age offers new insights into the other, deepening our
understanding of both past and present, and providing a new set of
reference points that reframe the history of art itself.
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作者介绍：
Alexander Nagel is Professor Fine Arts at the
Institute of Fine Arts, New York University. He lectures and writes
widely on Renaissance and modern art, both for academic journals
and art magazines such as Cabinet, ARTNews and Artforum. His books
include Michelangelo and the Reform of Art winner of the 2002
Gordan Prize for Renaissance Studies, Anachronic Renaissance
(co-authored with Christopher Wood) and The Controversy of
Renaissance Art, winner of the Charles Rufus Morey Book
Award.
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媒体评论
Alexander Nagel reminds us, throughout the
skilful weave of his argument, that there is much more medievalism
in the art of the present, and much more contemporaneity in the art
of the distant past, than we often realise.
--The Independent
A wide-ranging bravura display of intellectual erudition and
exemplary curiosity … can hardly fail to stimulate the little grey
cells.
--Spectator
书籍介绍
This groundbreaking study explores the deep connections between modern and premodern art, offering a radical reading that reveals the underlying patterns and ideas traversing centuries of artistic practice. Nagel reconsiders from an innovative double perspective some key issues in the history of art, from iconoclasm and illusionism to the status of painting, installation, and the museum as institution. He examines, among other topics, why the medieval workshop was of such importance to the Bauhaus; how the 4th-century Jerusalem Chapel in Rome was a proto-earthwork akin to the projects of Robert Smithson; and the relationship between medieval relics and Duchamps readymades. Alongside an analysis of 20th-century medievalist theorists such as Brecht, Joyce and Eco, Nagel considers a wide range of celebrated artists. This is a radical new reading of art that will profoundly broaden our understanding of both premodern practices and the art of the 20th and 21st centuries.
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