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Future of Nostalgia(ISBN=9780465007080)书籍详细信息
- ISBN：9780465007080
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2002-03
- 页数：432
- 价格：95.00
- 纸张：胶版纸
- 装帧：平装
- 开本：16开
- 语言：未知
- 丛书：暂无丛书
- TAG：暂无
- 豆瓣评分：暂无豆瓣评分
内容简介：
What happens to Old World memories in a New World order?
Svetlana Boym opens up a new avenue of inquiry: the study of
nostalgia.. Combining personal memoir, philosophical essay, and
historical analysis, Svetlana Boym explores the spaces of
collective nostalgia that connect national biography and personal
self-fashioning in the twenty-first century. She guides us through
the ruins and construction sites of post-communist cities-St.
Petersburg, Moscow, Berlin, and Prague-and the imagined homelands
of exiles-Benjamin, Nabokov, Mandelstahm, and Brodsky. From
Jurassic Park to the Totalitarian Sculpture Garden, Boym unravels
the threads of this global epidemic of longing and its
antidotes.
书籍目录：
Acknowledgments
Introduction: Taboo on Nostalgia?
PART I
HYPOCHONDRIA OF THE HEART:
NOSTALGIA, HISTORY AND MEMORY
PART 2
CITIES AND RE-INVENTED TRADITIONS
PART 3
EXILES AND IMAGINED HOMELANDS
Notes
Index
作者介绍：
Svetlana Boym is a writer and Professor of Slavic and
Comparative Literature at Harvard. She is the author of Common
Places: Mythologies of Everyday Life in Russia and Death in
Quotation Marks: Cultural Myths of the Modern Poet, as well as of
short stories, plays, and a novel. She is a native of St.
Petersburg, and lives in Cambridge, Massachusetts.
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原文赏析：
Nostalgia (from nostos -- return home, and algia -- longing) is a longing for a home that no longer exists or has ever existed. Nostalgia is a sentiment of loss and displacement, but it is also a romance with one's own fantasy. Nostalgic love can only survive in a long-distance relationship. A cinematic image of nostalgia is a double exposure, or a superimposition of two images -- of home and abroad, past and present, dream and everyday life.
In the seventeenth century, nostalgia was considered to be a curable disease, akin to the common cold ... By the twenty-first century, the passing ailment turned into the incurable modern condition.
The ambivalent sentiment permeates twentieth-century popular culture, where technological advances and special effects are frequently used to recreate vis...
怀旧不永远是关于过去的；怀旧可能是回顾性的，但是也可能是前瞻性的。
怀旧涉及的是个人传记和群体或者民族传记之间的关系，个人记忆与集体记忆之间的关系。
事实上，有一种对现代状况加以批判性反思的传统是包含了怀旧的，我称这一传统为“外-现代”（off-modern）。
外现代主义既批判现代对求新的迷恋，也批判同样时兴的对传统的重新发明。在外现代主义中，反思与向往、疏离与温情并行不悖。
怀旧——英语词汇nostalgia来自两个希腊词语，nostos（返乡）和algia（怀想），是对于某个不再存在或者从来就没有过的家园的向往。怀旧是一种丧失和位移，但也是个人与自己的想象的浪漫纠葛。
过去与现在、梦景与日常生活的双重形象。
怀旧诱惑我们的是它基本的暧昧涵义；怀旧乃是重复不可重复的事物，把非物质现实物质化。Suzan Stewart 写道：“怀旧就是一种重复，它哀悼所有重复的非真实性，否定重复具有定义身份的能力。”怀旧是在时间上图示空间，在空间上图示时间，阻碍主体与客体之间的区分。
为了挖掘出怀旧的碎片，需要一种记忆与地点的双重的考古学，有关幻想与实际操作的双重的历史。
怀旧——英语词汇nostalgia来自两个希腊语词，nostos（返乡）和 algia（怀想），是对于某个不再存在或者从来就没有过的家园的向往。
Nostalgia manifests itself in the sensation of pain as denoted in its Greek roots, nostos, meaning "to return home", and algos, "pain" translated into a kind of psychological disorder in the twentieth century. ( Choy, H. (2008). Remapping the Past: fictions of history in Deng’s China, 1979-1997. Brill. )
其它内容：
媒体评论
Book Forum In its distilled essence,... this is a fine book. Eva
Hoffman . . . this moving meditation on the vicissitudes of time,
loss and longing will provoke us to think anew. . . More Reviews
(5) Fewer Reviews Luc Sante A fine book. —Bookforum Marjorie
Perloff Boym's brilliant, witty, ironic, penetrating dissection of
"nostalgia," in all its manifestations—nationalist, diasporic,
exilic, literary, personal—is, above all, deeply moving. Publishers
Weekly The future of nostalgia isn't what it used to be, or at
least it won't be once this book starts making its way through
academic circles. A sort of training manual for the wistful, Boym's
book alternates "between critical reflection and storytelling,
hoping to grasp the rhythm of longing, its enticements and
entrapments"; along the way, the author not only gives new life to
an old idea but also offers a number of original terms that can be
used to describe the experience. The first part of Boym's study
surveys the history of nostalgia as a disease and introduces two
varieties, a "restorative nostalgia" that may contain
conspiratorial elements (the notion that a certain "they" have
destroyed "our" homeland, for example), and a "reflective
nostalgia" that leads to a sense of not being able to go home
again. Part two deals with postcommunist cities such as Moscow and
St. Petersburg (where Boym, now a Harvard professor of Slavic and
comparative literature, worked as a tour guide in the late '70s)
and may be of more interest to pure Russophiles than to
intellectuals in general. The book's third and final section
examines the work of Nabokov, Brodsky and other artists whom Boym
calls, in her most useful contribution to critical vocabulary,
"off-modern." Neither modern nor postmodern, these artists (and
their ranks include such odd ducks from the last century as Igor
Stravinsky, Walter Benjamin, Julio Cort zar and Georges Perec)
"explore side shadows and back alleys rather than the straight road
of progress." Thus the past may be conceptualized in any number of
ways, and apparently, at least according to the author, the only
truly pernicious nostalgia is the prefabricated, Disney-fied kind
that keeps one from thinking about the future. Otherwise, says
Boym, the sky, whether it's the one you see overhead or the one you
remember, is the limit. (Apr.) Forecast: This is an interesting
addition to cultural history, but a bit esoteric, and is unlikely
to find a readerhip outside of the literati. Copyright 2001 Cahners
Business Information. Library Journal The current U.S. craze for
nostalgia runs from automobiles (the PT Cruiser) to fashion (the
return of bell-bottoms) to television (TV Land reruns). Despite
modern technology and conveniences, we enjoy looking back to
yesterday. Boym (Slavic and comparative literature, Harvard Univ.;
Death in Quotation Marks) divides her study of nostalgia into three
parts. In the first section, she examines the history of nostalgia,
once seen as an ailment to be cured. The second part focuses on
cities, specifically Moscow, St. Petersburg, and Berlin, and on
post-Communist memories. In Part 3, Boym probes what she calls the
stories of exile, looking at the writings of Vladimir Nabokov,
Joseph Brodsky, and others who wrote of lost homes. She also
examines how nostalgia affects us today, citing movies like
Jurassic Park and the subsequent interest in dinosaurs. This
multifaceted work gives the reader much to ponder in regard to what
we hold dear. Recommended for larger public libraries and academic
collections. Ron Ratliff, Kansas State Univ., Manhattan Copyright
2001 Cahners Business Information. Booknews In her tour de force
study of a "hypochondria of the heart," Boym (Slavic and
comparative literature, Harvard U.) observes that "nostalgia
inevitably reappears as a defense mechanism in a time of
accelerated rhythms of life and historical upheavals." Combining
memories of life in St. Petersburg with tours of several post-
Communist cities, and historical, philosophical, and aesthetic
analyses, the author explores the ironies of collective nostalgia
(even for
书籍介绍
Combining personal memoir, philosophical essay, and historical analysis, Svetlana Boym explores the spaces of collective nostalgia that connect national biography and personal self-fashioning in the twenty-first century. She guides us through the ruins and construction sites of post-communist cities–St. Petersburg, Moscow, Berlin, and Prague–and the imagined homelands of exiles-Benjamin, Nabokov, Mandelstahm, and Brodsky. From Jurassic Park to the Totalitarian Sculpture Garden, Boym unravels the threads of this global epidemic of longing and its antidotes.
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