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Poussin and the Poetics of Painting普桑与绘画诗学: 图示叙述与达索的遗赠书籍详细信息
- ISBN：9780521833677
- 作者：暂无作者
- 出版社：暂无出版社
- 出版时间：2006-02
- 页数：282
- 价格：843.00
- 纸张：胶版纸
- 装帧：精装
- 开本：16开
- 语言：未知
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内容简介：
Torquato Tasso's poetic discourses were the most important source for Poussin's theory of painting. The poet's ideas on artistic imitation, novelty, and plot structure and unity, which are exemplified in his epic La Gerusalemme liberata, proved to be fundamental to the artist's conception of narrative painting, culminating in the Israelites Gathering Manna. Offering new interpretations of his works, this book also investigates Poussin's larger literary culture and how this context illuminates the artist's response to contemporary poetic texts, especially in his mythological paintings.
书籍目录：
Illustrations
Acknowledgments
INTRODUCTION
ONE: "UT PICTURA POETICA": POUSSIN AND THE
POETICS OF TASSO
TWO: POUSSIN'S NOVITA
THREE: METAPHORICAL REFLECTIONS IN ECHO AND
NARCISSUS AND RINALDO AND ARMIDA
FOUR: THE CRITIQUE OF THE GERUSALEMME LIBERATA
AND THE VISUAL ARTS
FIVE: POUSSIN, MARINO, AND PAINTING IN THE
OVIDIAN AGE
SIX: POUSSIN, RAPHAEL, AND TASSO: THE POETICS OF
PICTORIAL NARRATIVE
CONCLUSION: POUSSIN AND THE GERUSALEMME
LIBERATA: ACTION INTO EPISODE, HISTORY INTO
MYTH
Appendix
Notes
Bibliography
Index
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作者简介：Jonathan Unglaub is assistant professor of fine arts at Brandeis University. A scholar of Renaissance and Baroque art, he has contributed to The Art Bulletin and The Burlington Magazine, and has received fellowships from the Fulbright Commission, the Andrew W. Mellon Foundation (at the Metropolitan Museum of Art), the Getty Humanities Center, and the Clark Institute.
书籍介绍
This examines how Poussin cultivated a poetics of painting from the literary culture of his own time, and especially through his response to the work of Torquato Tasso. Tasso's poetic discourses were the most important source for Poussin's theory of painting. The poet's ideas on artistic imitation, novelty, and plot structure and unity, which are exemplified in his epic La Gerusalemme liberata, proved to be fundamental to the artist's conception of narrative painting, culminating in the Israelites Gathering Manna. In the paintings after the Gerusalemme, Poussin does not merely illustrate Tasso's verse, but cultivates pictorial means to refashion the poet's metaphors of desire. The interplay of poetic and painterly imagery also animates Poussin's Ovidian masterpieces, the Echo and Narcissus and the Realm of Flora. Offering new interpretations of these works, this book also investigates Poussin's larger literary culture and how this context illuminates the artist's response to contemporary poetic texts.
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